As the painting evolves I add and remove paint and turn the canvas to destabilise my process.Īn interest in the passing of time is central to my work. Flowers are Memento Mori, they remind us of the ephemeral, fleeting nature of life. I think of painting as a time based medium, layers of paint are like timelines on a tree, each holding memories of marks and integral to the finished piece. 'Spring', Antoinette Favre Bonvin, Oil pastel and aquarelle pigment, 106.5 cm x 67 cm 'Opulence', Andy Allen, Oil on canvas, 125 x 125 x 4 cm 'Domestic Bliss 2020', Phillip Reeves, Oil on aluminium panel, 80 x 110 cm 'Obedient Dog', Andrew McKay, Acrylic, ink and graphite on panel, 61 x 46 cm 'Marnixstraat (An Unexpected Gift)', Amelia Schutter, Oil on canvas, 60 x 80 cm Day 5.', Stuart Pearce, Oils on acrylic ground, 51 x 51 cm 'Unquilted', Catherine Lette, Acrylic on canvas, 90 x 90 cm 'Tree of Witness', Denise Howard, CPSA, CPX, UKCPS, MPAS, Coloured pencil on paper, 50.8 x 38.1 cm 'Ascension', Ludvig Sjödin, Oil on plywood, 41 x 31 cm 'Waiting', Bianca MacCall, Acrylic on board, 41 x 30 cm 'Sara', Mantas Poderys, Pastels on paper, 30 x 60 cm 'Quiet Summer', Robbie O'Keeffe, Oil on wood, 22.5 x 30 cm 'Incidental', Jill Tate, Oil on canvas, 51 x 61 cm 'Xinzi Song, Qinhangdao, China', Catherine Knight, Gouache on watercolour paper, 14 x 21 cm 'Desire & Longing 20', Sue Williams A'Court, Graphite mixed media on linen canvas, 180 x 180 cm For me painting is an ongoing conversation between past and present, an exploration of new forms from old imagery and narratives.
'Thistledown', Vivienne Rew, Waterbased medium on paper, 63 x 89 cm
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